Showing posts with label Rich Gigli. Show all posts
Showing posts with label Rich Gigli. Show all posts

Wednesday, September 7, 2016

Editors always ask, 'When will the jury reach a verdict?'

Working for The Record on Sept. 11, 2001, Photographer Thomas E. Franklin captured this iconic image of three firefighters raising an American flag above the rubble of the Twin Towers. But the photo didn't appear on the Sept. 12, 2001, front page of The Record, then headquartered in Hackensack. However, Franklin's photo did show up on the cover of the New York Post on Sept. 13, 2001, missing any credit to him or The Record.


By VICTOR E. SASSON
EDITOR

If you're a reporter covering state or federal courts, you soon get used to stupid questions from the editors directing coverage in the newsroom.

"When is the jury coming back?" is an especially annoying question courthouse reporters hear -- in view of the jurors' secret deliberations.

You can bet editors asking stupid questions led to Page 1 stories today and Tuesday trying to predict what will happen at the federal trial of two former allies of Governor Christie in the George Washington Bridge lane closures three years ago.

On Tuesday, Staff Writer Paul Berger, who covers the Port Authority, weighed the chances of Bridget Anne Kelly and Bill Baroni, the former aides and confidants, being convicted -- like the 190 other men and women facing "federal charges in New Jersey in the past six years."

Today, Berger and Peter J. Sampson, who covers federal court in Newark for The Record, provide readers with another tutorial -- Jury Selection 101 (A-1).

The headlines are especially ridiculous, because the jurors are the triers of facts, and will decide the guilt or innocence of the defendants:

"Bridgegate
trial could 
hinge on
jury picks

"Judge's first challenge
is finding unbiased panel"

And on the continuation page:

"JURY: May swing GWB trial"

No. They definitely will "swing" the trial.

Bridgegate whitewash

A Bridgegate editorial appears on A-8, noting Christie once joked he moved the traffic cones himself to close access lanes to the bridge, triggering five mornings of gridlock in Fort Lee.

"Little would surprise New Jersey residents ... even if Christie's jest turned out to have been the truth."

And for the first time, The Record is calling the publicly funded $8 million report from a law firm that exonerated Christie "a whitewash."

New York skyline

The star of today's front page is the story on the renewal of the Manhattan skyline, part of The Record's coverage of the 15th anniversary of the Sept. 11, 2001, terrorist attacks on America (A-1).

Don't miss the centerfold by Staff Writer James M. O'Neill -- "REACHING NEW HEIGHTS" -- which amounts to a love letter from North Jersey residents who have watched the transformation of the skyline since the Twin Towers were leveled (A-4 and A-5). 

9/11 flag recovered

The story on recovery of the flag raised over the rubble of the World Trade Center recalls one of the darkest days in The Record's Hackensack newsroom, which was in use until 2009 (L-1).

The events had nothing to do with the terrorist attack itself or the column of black smoke rising from the rubble -- clearly visible through the big windows of the fourth-floor newsroom, where the staff had just put out an extra and were working on the morning edition of Sept. 12, 2001.

When the flag-raising photo captured by Staff Photographer Thomas E. Franklin was transmitted to the newsroom, the front page had already been made up with a photo showing pretty much what every other paper had -- an image of the smoking towers or a plane flying into one of them.

Photo Director Rich Gigli couldn't persuade Editor Frank Scandale and the woman he succeeded, Vivian Waixel, to put Franklin's photo on Page 1, because bean counters decided remaking the front page would be too expensive.

Franklin's photo ended up on a back page in the paper of Sept. 12, 2001, and that likely destroyed his chances of winning a Pulitzer Prize for Photography.

That same business mentality was used when The Record reprinted thousands of copies of the Sept. 11, 2001, extra without correcting a front-page photo caption that misidentified the North and South Towers of the World Trade Center.

Franklin's photo

In the years that followed, Jennifer A. Borg, then vice president and general counsel of The Record, jealously guarded the copyright of Franklin's iconic photo.

But that didn't stop the advertising department from inserting a glossy 8-inch-by-11-inch copy of the 9/11 flag-raising image into the paper one day.

On the flip side was an ad for All American Ford in Hackensack.


Saturday, November 24, 2012

Photographers' talents are being squandered

Black Friday (1940 film)
"Black Friday," a 1940 film. (Wikipedia)



If you search today's Page 1 photos of Black Friday shoppers, you won't see any crowds or any pushing or shoving for all those so-called bargains the editors have been trying to sell for the past few days.

Maybe Black Friday was a bust -- as residents ravaged by Superstorm Sandy sought distraction at the movies or just stayed home and enjoyed the warmth of having their family around them, with the lights and heat on and plenty of fresh food in the refrigerator.

The Record's front page has earned a reputation in the last several years of being available to the highest bidder, as readers know from all those expensive ads wrapped around Page 1. 

Horse manure

If sending photographers to the mall is a waste of time and talent, how do you explain the photo of steel girders on the front of today's Local section, which carries a breathless update on grandstand construction at The Meadowlands Racetrack for a small minority of gambling addicts (L-1).

Below that is a photo of a minor accident in the  parking lot of a Paramus mall that feeds into the negative stereotype of Asian drivers (L-1).

Fender benders

I've lost count of all the minor accidents Record staffers have photographed in recent years as the assignment editors, Deirdre Sykes and Dan Sforza, reduced them to the role of ambulance chasers.

What happened to the enterprise photos that showed off the photographers' talents while providing a glimpse into North Jersey's suburban lifestyle?

Sandy at the shore

And why were there so few photographs of Sandy's havoc on the Jersey shore?

Did Publisher Stephen A. Borg put the kabosh on hiring a helicopter for one of those double-page photo spreads that would have captured the widespread damage?

Did Borg need the money to meet his mortgage and tax payments on that $3.65 million McMansion he bought several years ago with money from North Jersey Media Group? 

The purchase came only a few months before Borg -- in 2008 -- got rid of Rich Gigli, the paper's longtime photography director, and said sayonara to four of the best photographers on the staff.



See previous post
on more Road Warrior problems 

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